Pygmalion
A phonetics professor bets he can transform a Cockney flower girl into a lady of society. The basis for the musical My Fair Lady.
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Read the opening of Pygmalion
Covent Garden at 11.15 p.m. Torrents of heavy summer rain. Cab whistles blowing frantically in all directions. Pedestrians running for shelter into the market and under the portico of St. Paul’s Church, where there are already several people, among them a lady and her daughter in evening dress. They are all peering out gloomily at the rain, except one man with his back turned to the rest, who seems wholly preoccupied with a notebook in which he is writing busily.
THE DAUGHTER [in the space between the central pillars, close to the one on her left] I’m getting chilled to the bone. What can Freddy be doing all this time? He’s been gone twenty minutes.
THE MOTHER [on her daughter’s right] Not so long. But he ought to have got us a cab by this.
A BYSTANDER [on the lady’s right] He won’t get no cab not until half-past eleven, missus, when they come back after dropping their theatre fares.
THE MOTHER. But we must have a cab. We can’t stand here until half-past eleven. It’s too bad.
THE DAUGHTER. If Freddy had a bit of gumption, he would have got one at the theatre door.